Banda Six - Mbilwini Yamina
Cover
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LINER NOTES

 

Mofene David Sitoe was born in 1940 at Chibuto, Mondiana near Maputo. He is the second born in a family of four; one girl and three boys. He attended school at Chibuto. At the age of fifteen he had already started looking after his father's cattle. He recorded his first transcriptions for Radio Mozambique in 1964. In 1975 he joined Durban Deep Gold Mines as a labourer. It was on a Saturday while on his way from a part-time job in Roodepoort that he met Jimmy Mahlangu. Jimmy, after being highly impressed by Sitoe's songs, advised him to record them. Since he did not have any recording know-how and moreover was a foreigner, he asked Jimmy how he could record his songs. Jimmy approached me (Lucky E. Monama). As a producer of traditional music I auditioned him and thereafter never looked back, but took him into the studio to record his first album entitled "Mbilwini Yamina".

Produced by Lucky Monama
Engineer: Keith Forsyth

A Mavuthela production
1-3-1982
 

BANDA SIX
MBILWINI YAMINA


recorded 1982
issued 1982
Motella
Gallo Mavuthela
made in South Africa
produced by Lucky Monama
published by Mavuthela Music
BL 343
matrix ABC 10602 A
matrix ABC 10603 B
33 rpm
first issue
cover printed by Artone Press
source: flatinternational Archive

TRACK LISTING

 

1.1Xitimela Xanisiya

(David Sitoe)

1.2Mbilwini Yamina

(David Sitoe)

1.3Uvuya Uyo Shama Tihamela

(David Sitoe)

1.4Usiwana David

(David Sitoe)

1.5Asilunganga

(David Sitoe)

1.6Kamakhalawane

(David Sitoe)

2.7Rosa Na Maganda

(David Sitoe)

2.8He Bila Woya Kwihi

(David Sitoe)

2.9Miyela Muranziwa

(David Sitoe)

2.10Woyala Madalena

(David Sitoe)

2.11Atalia Mungani Wamina

(David Sitoe)

2.12Hayala Kumandiwa

(David Sitoe)

ARTISTS

 

BANDA SIX
MOFENE DAVID SITOE - guitar, vocals

NOTES

 

Mofene David Sitoe the principal artist behind Banda Six, hails from Chibuto (near Maputo) in Mozambique and recorded his first transcription records for Radio Mozambique in 1964. In 1975 he found part-time work in South Africa at the Durban Deep Gold Mine in Roodepoort. Interestingly that same year Mozambique became independent from Portugal.

Being a foreigner in South Africa, it was not clear to Sitoe how he would be able to record his music until he met Jimmy Mahlangu in the early 1980s. Mahlangu introduced Sitoe to Lucky Monama, Gallo’s traditional music producer, who auditioned and subsequently recorded him for Mavuthela’s iconic Motella label. Monama, of course, of the famed Makhona Tsohle Band moved into production at Mavuthela after Rupert Bopape began to spread his responsibilities to a number of understudies in the early 1970s. (Read Nick Lotay’s excellent essay on the subject at Matsuli.) The Mavuthela sound with Monama’s hand is evident in the resultant record—an amazing merging of Shangaan vocal, sparkling guitar-work and the signature elastic mbaqanga bassline. Listen to tracks like Usiwana David and you can hear hints of that future Shangaan Electro sound.

Honest Jon’s fascinating compilation Shangaan Electro — New Wave Dance Music from South Africa has had remarkable worldwide exposure since its release last year. This blend of traditional Shangaan music with super fast electronic beats coupled with some insane dance moves makes for some great YouTube viewing.

Shangaan (or now more correctly Tsonga or Xitsonga) is spoken predominantly in the eastern side of South Africa’s most northern province—Limpopo—roughly around the Kruger National Park region; and in Southern and Central Mozambique especially around Maputo.

Neo-traditional Shangaan music, according to Rob Allingham, generally consists of a circular structure featuring call-and-response vocals (often a male lead with a female response chorus) together with a guitar and several percussive instruments. The guitar itself was brought to the region by the Portuguese in the sixteenth century and became popularly adopted by Zulu, Ndebele and Shangaan cultures.

The Shangaan Electro album also features this male call and female response chorus albeit in producer Richard “Nozinja” Mthetwa sampled form. With Mthetwa’s dance sound the guitar has given way to the marimba and synthesizer organ. Though the electric keyboard dance-beat is not new and the vocal structure is evident in earlier Shangaan groups including General MD Shirinda & the Gaza Sisters (featured on Paul Simon’s Graceland), Thomas Chauke & the Shinyori Sisters, Obed Ngobeni & the Kurhula Sisters, Makhubela & Nkhohlwani Girls to name a few. The female chorus and synthesizers are notably absent from the Banda Six album but his cyclical guitar work is complemented with a fast-paced rhythm section of congas and maracas.

Banda Six has put out at least six albums, mostly on Gallo’s Motella and Spades labels. Check out a partial discography at flatint.

Khomba Ka Mina a track from Banda Six’s third album Rosy Awulunganga was also featured on the second flatinternational compilation hosted by Matsuli in December 2008.